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	<title>Xiaoran &#124; Mia Zhu</title>
	<link>https://xiaoranzhu.cargo.site</link>
	<description>Xiaoran &#124; Mia Zhu</description>
	<pubDate>Fri, 11 Jul 2025 20:11:39 +0000</pubDate>
	<generator>https://xiaoranzhu.cargo.site</generator>
	<language>en</language>
	
		
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		<title>Home</title>
				
		<link>https://xiaoranzhu.cargo.site/Home</link>

		<pubDate>Thu, 24 Nov 2022 16:29:41 +0000</pubDate>

		<dc:creator>Xiaoran &#124; Mia Zhu</dc:creator>

		<guid isPermaLink="true">https://xiaoranzhu.cargo.site/Home</guid>

		<description>
	ABOUT
	Xiǎorán Zhū &#124; 朱筱然

</description>
		
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	<item>
		<title>Documentary &#124; Rooted</title>
				
		<link>https://xiaoranzhu.cargo.site/Documentary-Rooted</link>

		<pubDate>Thu, 24 Nov 2022 16:29:42 +0000</pubDate>

		<dc:creator>Xiaoran &#124; Mia Zhu</dc:creator>

		<guid isPermaLink="true">https://xiaoranzhu.cargo.site/Documentary-Rooted</guid>

		<description>Documentary: Rooted︎ Official Instagram: lastletterfilms 


In 2021, I spent two weeks in Puerto Rico with my Social Justice Documentary class, where we captured the stories of Afro-Puerto Ricans and their rich Bomba music culture. Our documentary, Rooted, was released in April 2022. As a cinematographer and editor on the multimedia team, I am excited to record the stories and share their voices in different themed educational video series on our social media platforms including Instagram, Youtube and Website. 
Our film has been selected for the 2023 International Puerto Rican Heritage Film Festival.&#38;nbsp;


Logline
Nurturing cultural roots is vital to preservation in the face of erasure. 
Synopsis

Puerto Rican identity reflects a history of colonialism, consisting of native Taínos, enslaved Africans, and white colonizers. This mixture of races has led to a system of power and oppression based upon one’s proximity to whiteness. This colorism has shown itself in Loíza, causing disproportionate resource allocation and internal violence. However, familial matriarchs and female community leaders have nurtured Loíceño’s connection to their African roots, serving as a form of self-acceptance, unity, and prevention for the youth. 29-year-old Jomar Abrante expresses his roots through Bomba music as he copes with the struggles resulting from erasure and embraces the values of peace and forgiveness his mother Judith instilled in him. Female community leaders, like Modesta Irizarry and Maricruz Rivera Clemente, mirror Judith’s passion for connecting Loíceños to their roots. It is through identifying with the African cultures that make up Loíza that Loíceños can find pride in their blackness and resist erasure.&#38;nbsp;




Role

I’m the cinematographer and editor on the multimedia team. My role is to record stories, edit and share voices. 



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Official Teaser





Multi-person educational video for Black History MonthRecognizing Roots





 

Educational Series (Art and Craft in Loíza)
Painting Loíza with Samuel LindMeet Samuel Lind, a talented artist native to Loíza, Puerto Rico. He shows us a part of his world through his studio space and favorite pieces of art, which highlight Afro-Puerto Rican culture and pride. 







The Man Behind the Masks: Witzelino Pizarro
Meet Witzelino Pizarro, or Celele, who is a lifelong artisan for Loíza. He dedicates himself to the vejigante masks, which are rich cultural artifacts of Puerto Rico. Learn what drives his passion as he recounts the stories that built him as an artist and extends his wisdom to future generations.

Building the Beat with Juan Fuentes


Our conversation with Juan gave us some amazing insight into the history and culture of Bomba in Loíza! We are so honored to to share with you his passion for this beautiful art form, and his hopes that it continues to spread far beyond making music.

Educational Series (The Women of Loíza)

Cultivating Community with Windy Cosme Rosario
Meet Sheila Osorio Ferrier, a cultural manager who is passionate about educating people about Loizan and Puerto Rican culture.


The Bomba Breakdown with Sheila Osorio Ferrer


Meet Sheila Osorio Ferrier, a cultural manager who is passionate about educating people about Loizan and Puerto Rican culture.
 



Deeper than Dance with Daniella Hernandez
Meet Daniella Hernandez, a young Bomba dancer originally from Canóvanas, Puerto Rico. She dances for us and speaks about what Bomba means to her, saying, “It’s more than just a dance. It’s the connection you feel with everything around you… Its culture is literally the meaning of a true Puerto Rican.”

“Mi Majestad Mi Negra” Poem Recitation

We learned so much from our friend Rafael during the time we spent with him, it would be impossible to capture it all for you in one video. Luckily, this poem he shared with us was able to showcase so many of his stories in such a beautiful way. Dedicated to his mother, Raf also uses this poem to honor Luis Pales Matos who he was largely inspired by.




Bomba Inclusion with Giomar Cruz Latimer
When we first met Giomar, his passion for the work he does with Bomba Inclusion for his community absolutely blew us away. We could not be prouder to share his story and highlight yet another amazing community leader.

Power of Protest: The Fight for Education
While we were in Puerto Rico, we had the opportunity to attend a protest for public education, and we were so inspired by the passion everyone has for the cause. These are a few of the people we met and whose stories we felt were so important to share.

Documentary Credits Executive Producer: Hezekiah LewisDirector: Nishika Goel, Freddy KwakProducer: Sofia Bottini, Annie Cowen, Keely Dumouchel, and Kristen GarveyAssociate Producer: Caleb Lucky, Tania RomeroCinematographer: Anna Keller, Margaret MengelEditor: Anna Keller, Margaret MengelWriters: Idjatou Barry, Ashley Bernard-Cabrera, Ajibola Bodunrin, Keely Dumouchel, Connie Fang, Taniya Gray, Nathan Reyes, Valerie Rodriguez and Morgan TorreSound: Taniya GraySecond Unit: Keely Dumouchel, Molly Mook, and Xiaoran ZhuMusic Composer: Natalia PerezColorist: Mark NowickiMultimedia Director: Jaedyn Eurenius,&#38;nbsp;Molly MookMultimedia Producer: EJ BurkeMultimedia Cinematographer: Xiaoran Zhu, Perry WilsonMultimedia Sound: Brendan Bennett, Keely DumouchelMultimedia Editor: Xiaoran Zhu, Perry Wilson, Conner BaginInitiative: Jesse Marsh, &#38;nbsp;Brandon Slater, Daniel McGill, and Gaby Palmisano
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		<title>Journalism &#124; Goshogawara Tachineputa Festival</title>
				
		<link>https://xiaoranzhu.cargo.site/Journalism-Goshogawara-Tachineputa-Festival</link>

		<pubDate>Mon, 03 Mar 2025 19:43:17 +0000</pubDate>

		<dc:creator>Xiaoran &#124; Mia Zhu</dc:creator>

		<guid isPermaLink="true">https://xiaoranzhu.cargo.site/Journalism-Goshogawara-Tachineputa-Festival</guid>

		<description>Journalism: Goshogawara Tachineputa Festival 20242024年日本青森县五所川原市立佞武多祭典

March 3rd, 2025 : Multimedia / Video / Photo Journalism

IntroductionIn northern Japan lies a remarkable testament to human artistry and cultural preservation - the Goshogawara Tachineputa Festival. These colossal lantern floats, standing 23 meters tall and weighing 19 tons each, represent an fusion of traditional craftsmanship and community spirit. Each Tachineputa is a masterpiece of human ingenuity, entirely handcrafted through a meticulous year-long process of design, painting, and assembly. These paper lanterns depict mythological scenes.&#38;nbsp;
What truly distinguishes this festival is the city's profound commitment to cultural preservation - the local government even undertook urban renovations, burying power lines underground, to ensure these towering floats could continue their traditional parade routes. Through the combined efforts of skilled artisans, dedicated local residents who manually pull these massive structures, and thoughtful governance, this once-fading tradition has been transformed into a vibrant celebration that captivates visitors from across Japan and beyond.&#38;nbsp;









RoleCinematographer, Editor, and Producer: Mia ZhuPhotographer &#38;amp; Designer: Mia ZhuJournalist &#38;amp; Researcher: Mia Zhu

Journal

	
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	Aomori, located at the northernmost tip of Japan's main island, holds a week-long summer festival in early August to ward off 'Neputa' (sleep demons) that might interfere with farmers' summer work. During this week, each city in Aomori Prefecture showcases newly created lantern floats, each with distinct characteristics. Aomori's are human-shaped and flat (with large surface areas); Hirosaki's are fan-shaped; while Goshogawara's Tachineputa are the tallest and most impressive. Goshogawara consistently maintains three Tachineputa: the current year's new creation, last year's, and the previous year's, while dismantling the oldest one.&#38;nbsp;
At Goshogawara's annual Tachineputa Festival, smaller and medium-sized floats lead the way, followed by three massive 23-meter-tall paper lantern floats. These lanterns are carried by people of all ages - children, youth, middle-aged, and elderly people - maintaining their tradition. The parade proceeds in an orderly fashion amid rhythmic chants. The 2024 theme features “Enma”, the Buddhist King of Hell, depicting the scene where he uses a mirror to reflect and judge the deeds of the deceased.


Tachineputa flourished due to Goshogawara‘s advantageous coastal trading position. The tradition had nearly vanished due to technological developments (new power lines made it difficult for tall floats to parade), war, post-war fires that destroyed design materials, the burst of the economic bubble, local economic decline, and aging population. However, in 1993, someone discovered their grandfather’s float base design drawings. By 1996, funding and technical support were secured, and volunteers reconstructed a Tachineputa. Following ancient custom, this float was burned a week after the ceremony as a tribute to precious memories (very anime-like scene!). In 1998, the city government completed the project of removing and burying power lines along the parade route. Since 1999, a new large Tachineputa has been created annually, while an old one is dismantled.&#38;nbsp;

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The local government's commitment to cultural preservation is evidenced by their extensive efforts to revive this traditional festival. It’s remarkable how such a small city efficiently advanced urban planning for the sake of cultural preservation, reclaiming this historical practice in just five years through government efforts and local support.
According to the website, the lastest three floats were designed and created by the same person, with a year-long design and production cycle. Tachineputa are built and stored in a museum. The official website reveals that visitors can typically participate in creating that year's Tachineputa. However, due to major renovations at the Tachineputa Museum in 2025, no new Neputa will be manufactured, so this year's festival will display last year's three floats, and both the participatory creation activities and regular museum visits will be suspended.&#38;nbsp;
Reference
http://go-kankou.jp/tachine
http://go-kankou.jp/past
https://www.tachineputa.jp/index.php
https://www.asahi.com/ajw/articles/15378249




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		<title>UE5 &#124; Wander in Wenzhou</title>
				
		<link>https://xiaoranzhu.cargo.site/UE5-Wander-in-Wenzhou</link>

		<pubDate>Wed, 17 Jul 2024 01:38:08 +0000</pubDate>

		<dc:creator>Xiaoran &#124; Mia Zhu</dc:creator>

		<guid isPermaLink="true">https://xiaoranzhu.cargo.site/UE5-Wander-in-Wenzhou</guid>

		<description>Virtual Production: “Wander in Wenzhou”︎ film archive project


"Wander in Wenzhou" is an immersive virtual photo exhibition&#38;nbsp;that transports visitors to Wenzhou. As the birthplace of China's individual private economy, Wenzhou is a famous hometown for overseas Chinese, including some of Xiaoran's relatives, who engage in business and trade activities around the world.

The exhibition features a 3D environment that recreates the streets of Wenzhou and showcases Xiaoran's documentary photography project, which explores the relationships between identity, collective memory, space, and society.&#38;nbsp;

Through documenting the daily lives of Wenzhou residents, Xiaoran seeks to present an authentic and intimate portrait of the city, exploring how the spaces inhabited by the people shape their identity and sense of belonging while also serving as vessels for collective memory.&#38;nbsp;

The authentic ambience of a Wenzhou street market, recorded in captivating surround sound, envelops the exhibition space, creating an immersive experience that invites viewers to embark on a visual journey to experience the urban character of Wenzhou and how it shapes the lives of its residents. 



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Tool UsedUnreal Engine 5



Full-Playthrough Video
&#38;nbsp;







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		<title>UE5 Game &#124; Thesis: The Pool</title>
				
		<link>https://xiaoranzhu.cargo.site/UE5-Game-Thesis-The-Pool</link>

		<pubDate>Fri, 11 Jul 2025 20:11:39 +0000</pubDate>

		<dc:creator>Xiaoran &#124; Mia Zhu</dc:creator>

		<guid isPermaLink="true">https://xiaoranzhu.cargo.site/UE5-Game-Thesis-The-Pool</guid>

		<description>Game Design &#124; Thesis: The Pool︎ thesis

Advisor:&#38;nbsp;Theo Ellin Ballew
#community #culture #narrative/storytelling #play/games

“The Pool” is a first-person narrative exploration game that transforms an indoor swimming facility into a memory landscape examining childhood growth, friendship, institutional control, and cultural expectations. Based on Mia’s experience in competitive swimming in China, the game uses environmental storytelling where players explore physical and emotional spaces through objects, journal entries, photos and videos that capture memory sensations.&#38;nbsp;

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Project Description
While many associate “pool” with carefree play, for Mia, it conjures a world shaped by discipline, pressure, and transformation—a place of heavy air, dim lights, and the persistent weight of training and social dynamics."The Pool" offers a personal yet universal look at childhood as a competitive swimmer. Exhaustion and repetition were daily routines for Mia, whose early years were consumed by intense Olympic training under the watch of a strict coach. Economic differences and the emphasis on achievement shaped the way Mia and her teammates understood and navigated the world at a very young age. Yet, within this intensity, friendship became a lifeline. Bonds formed amid hardship, providing support and shared moments of relief.This first-person narrative exploration game translates those experiences into an immersive, interactive environment. Players explore three virtual spaces—a starting room, a locker room, and finally, the pool—each filled with 3D-scanned objects, photographs, videos, and fragments from Mia’s handwritten diaries and letters. Memories unfold through exploration, with the most significant entries placed near each entrance. By interacting with them, players can view enlarged letters, hear ambient water sounds, and listen to Mia’s voiceover translations and reflections.Through a blend of text, objects, sound, and personal history, "The Pool" invites visitors to experience Mia’s world as a young swimmer in China. Through her personal narrative, Mia reflects on how these individual experiences are shaped by, and reflect, the broader cultural values of her society.

Technical Details
Unreal Engine 5 (environment, gaming mechanics), Polycam(photogrammetry), Epson V850 (the scanner used for scanning letters and journals)

	&#60;img width="800" height="1253" width_o="800" height_o="1253" data-src="https://freight.cargo.site/t/original/i/7c422f60f35f8c0bbd4df5517167f13e02cb5a8c92a087741dcbec83174de10c/ScreenRecording_05-07-202500-10-45_1-ezgif.com-crop.gif" data-mid="235690161" border="0"  src="https://freight.cargo.site/w/800/i/7c422f60f35f8c0bbd4df5517167f13e02cb5a8c92a087741dcbec83174de10c/ScreenRecording_05-07-202500-10-45_1-ezgif.com-crop.gif" /&#62;
	&#60;img width="793" height="1249" width_o="793" height_o="1249" data-src="https://freight.cargo.site/t/original/i/803864edd49ccb9b6cc4182707b3017c1987fd79ba349b74766392fb1f7ea946/ScreenRecording_05-07-202500-07-54_1-ezgif.com-crop.gif" data-mid="235690160" border="0"  src="https://freight.cargo.site/w/793/i/803864edd49ccb9b6cc4182707b3017c1987fd79ba349b74766392fb1f7ea946/ScreenRecording_05-07-202500-07-54_1-ezgif.com-crop.gif" /&#62;
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Research/Context
This project draws inspiration from the narrative exploration games Gone Home and What Remains of Edith Finch. Both games demonstrate how everyday environments and personal artifacts can be used to construct deeply emotional and layered narratives.Another important reference for this project is Leanne Shapton’s memoir, Swimming Studies. In her book, Shapton looks back on her experiences as a competitive swimmer in Canada, describing not only the physical challenges of training but also the complex emotions that come with it. Reading her reflections, I was impressed by how similar these experiences feel, even across different cultures. The physical sensations, routines, and emotional struggles she describes are things I recognize from my own background. This realization shapes my approach to this project: by inviting players to piece together memories, I hope to show how individual stories can connect to a larger, shared experience, no matter where we come from.

Full Presentation Video
&#38;nbsp;





  
  






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	<item>
		<title>Neon Secrets: The Awakening</title>
				
		<link>https://xiaoranzhu.cargo.site/Neon-Secrets-The-Awakening</link>

		<pubDate>Wed, 27 Mar 2024 18:11:50 +0000</pubDate>

		<dc:creator>Xiaoran &#124; Mia Zhu</dc:creator>

		<guid isPermaLink="true">https://xiaoranzhu.cargo.site/Neon-Secrets-The-Awakening</guid>

		<description>Neon Secrets: The AwakeningAI FILM



	Overview
“Neon Secrets—The Awakening” is a short narrative film made with AI tools such as chatGPT, Midjourney, and Runway. The story is about a dystopian cyberpunk future concerning the topic of surveillance.This film is produced by Yiqing Wendy Li and Xiaoran Mia Zhu. They wanted to push the idea of post creativity and experiment on how AI can challenge the traditional mass production CGI in the limited amount of time with only two people working.


	Concept

Reimagine a future with powerful AI and surveillance, people have no privacy and secret. The story happens in this dystopian yet plausible future, Zara and Theo are a couple falling in love with the vision of fighting against surveillance.

	Process &#38;amp; Roles
After Yiqing and Xiaoran came up with the idea, they feed the idea to ChatGPT and generated the script. Then, Yiqing came up with prompts to generate the storytelling images in Midjourney. Based on the images, Xiaoran generated video and voiceover by AI tools, then edited the film.&#38;nbsp;



Generated Images:&#38;nbsp;

&#60;img width="1456" height="816" width_o="1456" height_o="816" data-src="https://freight.cargo.site/t/original/i/13349c59b4aee8ccf964ed5de1acda630fa0ebbf0d42d42e7a5be1f4c7ad76c5/WechatIMG429.jpg" data-mid="207974826" border="0"  src="https://freight.cargo.site/w/1000/i/13349c59b4aee8ccf964ed5de1acda630fa0ebbf0d42d42e7a5be1f4c7ad76c5/WechatIMG429.jpg" /&#62;
&#60;img width="1456" height="816" width_o="1456" height_o="816" data-src="https://freight.cargo.site/t/original/i/dedd43bc32ed26389c6fdbdc942cc6a766f2f05eb7cb7f426a53af4ae862d8cc/WechatIMG425.jpg" data-mid="207974705" border="0"  src="https://freight.cargo.site/w/1000/i/dedd43bc32ed26389c6fdbdc942cc6a766f2f05eb7cb7f426a53af4ae862d8cc/WechatIMG425.jpg" /&#62;
&#60;img width="1456" height="816" width_o="1456" height_o="816" data-src="https://freight.cargo.site/t/original/i/20a8e876769893cf124742438144880a7ba299d3b92088f545f07890895f93ac/WechatIMG428.jpg" data-mid="207974824" border="0"  src="https://freight.cargo.site/w/1000/i/20a8e876769893cf124742438144880a7ba299d3b92088f545f07890895f93ac/WechatIMG428.jpg" /&#62;
&#60;img width="1456" height="816" width_o="1456" height_o="816" data-src="https://freight.cargo.site/t/original/i/df088da35a6f042edc3fc0fc8e45f74d17f1d64e09b385cf0011e7dea733d602/WechatIMG459.jpg" data-mid="207974830" border="0"  src="https://freight.cargo.site/w/1000/i/df088da35a6f042edc3fc0fc8e45f74d17f1d64e09b385cf0011e7dea733d602/WechatIMG459.jpg" /&#62;
&#60;img width="1456" height="816" width_o="1456" height_o="816" data-src="https://freight.cargo.site/t/original/i/566278beb3a25404537b85b3792d8582b7a6335a124fd656c47884c209fc2209/WechatIMG460.jpg" data-mid="207974831" border="0"  src="https://freight.cargo.site/w/1000/i/566278beb3a25404537b85b3792d8582b7a6335a124fd656c47884c209fc2209/WechatIMG460.jpg" /&#62;
&#60;img width="1456" height="816" width_o="1456" height_o="816" data-src="https://freight.cargo.site/t/original/i/430089e6693a2bba9be7cd58383f04ec6752e43a999c6473b362e3a230f5b4cf/WechatIMG475.jpg" data-mid="207974838" border="0"  src="https://freight.cargo.site/w/1000/i/430089e6693a2bba9be7cd58383f04ec6752e43a999c6473b362e3a230f5b4cf/WechatIMG475.jpg" /&#62;
&#60;img width="1456" height="816" width_o="1456" height_o="816" data-src="https://freight.cargo.site/t/original/i/b423c3dd84c0a5c2750f78b907d2661049d7101e8b68b65c656eeea1f0c9b009/WechatIMG476.jpg" data-mid="207974839" border="0"  src="https://freight.cargo.site/w/1000/i/b423c3dd84c0a5c2750f78b907d2661049d7101e8b68b65c656eeea1f0c9b009/WechatIMG476.jpg" /&#62;
&#60;img width="1456" height="816" width_o="1456" height_o="816" data-src="https://freight.cargo.site/t/original/i/0f3e947725f35b8550aeef6118c8c0900a97aa2989d93333ab1e6e59a01dab55/WechatIMG490.jpg" data-mid="207974842" border="0"  src="https://freight.cargo.site/w/1000/i/0f3e947725f35b8550aeef6118c8c0900a97aa2989d93333ab1e6e59a01dab55/WechatIMG490.jpg" /&#62;
&#60;img width="1456" height="816" width_o="1456" height_o="816" data-src="https://freight.cargo.site/t/original/i/c520a646768bbff15904f02388ade885dfbc5b582a440c3c8aa11e3f62b70727/WechatIMG496.jpg" data-mid="207974847" border="0"  src="https://freight.cargo.site/w/1000/i/c520a646768bbff15904f02388ade885dfbc5b582a440c3c8aa11e3f62b70727/WechatIMG496.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Bomba Inclusion</title>
				
		<link>https://xiaoranzhu.cargo.site/Bomba-Inclusion</link>

		<pubDate>Thu, 24 Nov 2022 16:29:42 +0000</pubDate>

		<dc:creator>Xiaoran &#124; Mia Zhu</dc:creator>

		<guid isPermaLink="true">https://xiaoranzhu.cargo.site/Bomba-Inclusion</guid>

		<description>Audio Visualizer for Bomba Inclusion︎ “Rooted” - Documentary

According to the 2000 national census, there were approximately 150,000 deaf people in Puerto Rico. This audio visualizer is designed for the deaf community to better learn and understand Bomba music and their own culture.

Bomba is a traditional and special music form in which the drummers give responsive feedback to the dancer. It originates from the island's history of African slavery and is now a strong part of Puerto Rican culture and people's everyday lives. I recorded this video during a trip to Loíza, Puerto Rico with my documentary class. Our film "Rooted" is a short documentary that shows the power of cultural roots like Bomba music in fighting the social injustices that the Afro-Puerto Rican community in Loíza faces.

When we were on set in Loíza, our group had an interview with Giomar Cruz Latina, a community leader in Loíza. He runs a non-profit foundation that works as a multidisciplinary center called Cultura Activa PR. It is a center for the development of daily skills, where they work with the arts, education, recreation, and music as a means of social change in the different communities of Puerto Rico. He is also a teacher with a bachelor's degree in Adapted Physical Education and works with people with different kinds of disabilities. Part of his work is to teach deaf people to dance and enjoy music.

This audio visualizer was inspired by one of the topics he mentioned. He believes the biggest challenge for people with functional diversity is the lack of opportunity and lack of interaction with them, which prevents them from being included in different activities. This model serves a similar function as the sign language interpreter on TV channels. It translates the vibrance of drum beats into visuals and is designed for deaf people to feel and "listen" to Bomba music in live performances and Bomba inclusive classes. The 3D African drum model is from TurboSquid, and I used TouchDesigner to build the synchronized visuals according to the audio inputs.



Technology used: TouchDesigner, Blender, Adobe Premiere Pro, Canon EOS R

Example:&#38;nbsp;



3D model in Blender:

&#60;img width="3456" height="1998" width_o="3456" height_o="1998" data-src="https://freight.cargo.site/t/original/i/5fdadeafeb2fa05e25a9eb9922c24a662d76a32444c5aecbec3aac9ec6569ad7/Screen-Shot-2022-11-07-at-10.53.06-PM.png" data-mid="160301991" border="0" data-scale="67" src="https://freight.cargo.site/w/1000/i/5fdadeafeb2fa05e25a9eb9922c24a662d76a32444c5aecbec3aac9ec6569ad7/Screen-Shot-2022-11-07-at-10.53.06-PM.png" /&#62;
TouchDesigner: Here I used the audio from one of the footages as an example. The audio input could be changed into audio recording devices for live Bomba concert.&#38;nbsp;

 &#60;img width="2676" height="1234" width_o="2676" height_o="1234" data-src="https://freight.cargo.site/t/original/i/49e1cc0902eed8eede3e2eff247aecf35201fa2adcd4eaf4a509f0101d5d4d83/TouchDesigner-Screenshoot.png" data-mid="160302091" border="0"  src="https://freight.cargo.site/w/1000/i/49e1cc0902eed8eede3e2eff247aecf35201fa2adcd4eaf4a509f0101d5d4d83/TouchDesigner-Screenshoot.png" /&#62;TouchDesigner Output:&#38;nbsp;
&#60;img width="1982" height="1984" width_o="1982" height_o="1984" data-src="https://freight.cargo.site/t/original/i/01d85ff04bc2ec446b334b49d63906e6a162b5c62e397320f53345a16eaa0a14/Screen-Shot-2022-11-07-at-10.36.03-PM.png" data-mid="160112478" border="0" data-scale="35" src="https://freight.cargo.site/w/1000/i/01d85ff04bc2ec446b334b49d63906e6a162b5c62e397320f53345a16eaa0a14/Screen-Shot-2022-11-07-at-10.36.03-PM.png" /&#62;
Video output: Finally, I used Adobe Premiere Pro to attach the TouchDesigner output to the original video footage.&#38;nbsp;


&#60;img width="3418" height="1908" width_o="3418" height_o="1908" data-src="https://freight.cargo.site/t/original/i/15c97e0a001744fdea9f14912409b3d0a6c165f61676c659fcabfe0e1f218374/Screen-Shot-2022-11-24-at-12.15.14-PM.png" data-mid="160112475" border="0"  src="https://freight.cargo.site/w/1000/i/15c97e0a001744fdea9f14912409b3d0a6c165f61676c659fcabfe0e1f218374/Screen-Shot-2022-11-24-at-12.15.14-PM.png" /&#62;

Educational video and full Spanish transcription and English Translation of the complete&#38;nbsp;interview with Giomar Cruz Latina is attached in HERE.&#38;nbsp;</description>
		
	</item>
		
		
	<item>
		<title>Collective Memory</title>
				
		<link>https://xiaoranzhu.cargo.site/Collective-Memory</link>

		<pubDate>Thu, 24 Nov 2022 16:29:43 +0000</pubDate>

		<dc:creator>Xiaoran &#124; Mia Zhu</dc:creator>

		<guid isPermaLink="true">https://xiaoranzhu.cargo.site/Collective-Memory</guid>

		<description>Collective Memory and City Development
︎ Xiaoran Zhu - OpenProcessing Profile

Images tell stories, but it will never be fully completed without a context, an explanation. This Processing creative coding project discusses the symbiotic relationship between image and word, and the content engages with the topic about public memory and city development. The photo content is from one of my portfolios in 2019. I visited Wenzhou and Harbin, two cities in China where my family lived in the past. I became aware of the public space's ongoing development through physically being there and hearing my father and grandmother's stories about their experiences living in the city. The portfolio I made in 2019 and the moments I captured in 2019 all become a new “memory” now. The portfolio starts with presenting blurred images only, and when users move their mouse, dispersed particles will form into a clear image with photos and contexts. This motion simulates different methods of approaching the collective memory of the city.&#38;nbsp;(Click on the individual image to view/run the source code)


Wenzhou 



&#60;img width="1674" height="868" width_o="1674" height_o="868" data-src="https://freight.cargo.site/t/original/i/fd32d3803a0bf4edce71cc6f429d34548c5e1a72f65d850abe39760fab135b15/Screen-Shot-2022-11-23-at-5.17.36-PM.png" data-mid="160184767" border="0"  src="https://freight.cargo.site/w/1000/i/fd32d3803a0bf4edce71cc6f429d34548c5e1a72f65d850abe39760fab135b15/Screen-Shot-2022-11-23-at-5.17.36-PM.png" /&#62;
&#60;img width="1688" height="1104" width_o="1688" height_o="1104" data-src="https://freight.cargo.site/t/original/i/ec79fb4b89e76c2f478c215c32a303c084a5ba35db1990783e0c6f6c72486968/Screen-Shot-2022-11-25-at-10.51.54-PM.png" data-mid="160188055" border="0"  src="https://freight.cargo.site/w/1000/i/ec79fb4b89e76c2f478c215c32a303c084a5ba35db1990783e0c6f6c72486968/Screen-Shot-2022-11-25-at-10.51.54-PM.png" /&#62;
&#60;img width="1612" height="1140" width_o="1612" height_o="1140" data-src="https://freight.cargo.site/t/original/i/0bcb9146f39f51e67ab18c1fe448f7a5ea3acc15f7dbfafcfb88e88d0efae7f3/Screen-Shot-2022-11-25-at-10.54.44-PM.png" data-mid="160188096" border="0"  src="https://freight.cargo.site/w/1000/i/0bcb9146f39f51e67ab18c1fe448f7a5ea3acc15f7dbfafcfb88e88d0efae7f3/Screen-Shot-2022-11-25-at-10.54.44-PM.png" /&#62;
&#60;img width="1620" height="1148" width_o="1620" height_o="1148" data-src="https://freight.cargo.site/t/original/i/0ce7b6a5b2cf6af426973f6d55ed0937c569dffc587fb1083f8f88413bd2bd6a/Screen-Shot-2022-11-25-at-11.05.06-PM.png" data-mid="160188391" border="0"  src="https://freight.cargo.site/w/1000/i/0ce7b6a5b2cf6af426973f6d55ed0937c569dffc587fb1083f8f88413bd2bd6a/Screen-Shot-2022-11-25-at-11.05.06-PM.png" /&#62;
Harbin
&#60;img width="1592" height="1096" width_o="1592" height_o="1096" data-src="https://freight.cargo.site/t/original/i/9a4618b84e43d4b22f66a57bb1ae25a85432c2a74871e272268d3806e9c6ac2c/Screen-Shot-2022-11-25-at-11.08.09-PM.png" data-mid="160188450" border="0"  src="https://freight.cargo.site/w/1000/i/9a4618b84e43d4b22f66a57bb1ae25a85432c2a74871e272268d3806e9c6ac2c/Screen-Shot-2022-11-25-at-11.08.09-PM.png" /&#62;
&#60;img width="1604" height="1156" width_o="1604" height_o="1156" data-src="https://freight.cargo.site/t/original/i/a50748efddfaad0f27e8b6a4063cbf7ddbee5cb471880c89f083d687525cb573/Screen-Shot-2022-11-25-at-11.12.36-PM.png" data-mid="160188477" border="0"  src="https://freight.cargo.site/w/1000/i/a50748efddfaad0f27e8b6a4063cbf7ddbee5cb471880c89f083d687525cb573/Screen-Shot-2022-11-25-at-11.12.36-PM.png" /&#62;
&#60;img width="1586" height="1052" width_o="1586" height_o="1052" data-src="https://freight.cargo.site/t/original/i/d7ef4699d79ee5b64bae75b96220b47dd010e9eb7a78d0eae9fff619d333a638/Screen-Shot-2022-11-25-at-11.14.05-PM.png" data-mid="160188491" border="0"  src="https://freight.cargo.site/w/1000/i/d7ef4699d79ee5b64bae75b96220b47dd010e9eb7a78d0eae9fff619d333a638/Screen-Shot-2022-11-25-at-11.14.05-PM.png" /&#62;
&#60;img width="1624" height="1154" width_o="1624" height_o="1154" data-src="https://freight.cargo.site/t/original/i/8106b47b20b1a8e6a6b22b6e012eda556c527907ecdfbd744c02bc5cbe1273a1/Screen-Shot-2022-11-25-at-11.15.18-PM.png" data-mid="160188498" border="0"  src="https://freight.cargo.site/w/1000/i/8106b47b20b1a8e6a6b22b6e012eda556c527907ecdfbd744c02bc5cbe1273a1/Screen-Shot-2022-11-25-at-11.15.18-PM.png" /&#62;
&#60;img width="1558" height="1006" width_o="1558" height_o="1006" data-src="https://freight.cargo.site/t/original/i/89d55aa724afc04fb06e0549b1016f3f5f3aa81d7ccade5a730898486c52311f/Screen-Shot-2022-11-25-at-11.16.15-PM.png" data-mid="160188513" border="0"  src="https://freight.cargo.site/w/1000/i/89d55aa724afc04fb06e0549b1016f3f5f3aa81d7ccade5a730898486c52311f/Screen-Shot-2022-11-25-at-11.16.15-PM.png" /&#62;
2019 PortfolioBuilding on the courses I took from art history minor, my interest lies in the relationship between collective memories, space, and society. These elements are interconnected, with the spaces we inhabit and the memories we associate with them shaping our identities and sense of belonging. Physical spaces, in turn, can serve as repositories of collective memory, influencing our understanding and interaction with the world. The use of public spaces can also impact the formation of collective memories, which can shape the social, cultural, and political dynamics of a society.
 


&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/bdc2cc29f76a48f4a67cbe0f1970346a78d1157379f65740a02023e7b5a38359/1-.jpg" data-mid="160188657" border="0"  src="https://freight.cargo.site/w/1000/i/bdc2cc29f76a48f4a67cbe0f1970346a78d1157379f65740a02023e7b5a38359/1-.jpg" /&#62;
&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/0cedbccf4a48085ed8f10c224b0b2fe39cd4a30955fe0e72482787a61cd76441/2.jpg" data-mid="160188656" border="0"  src="https://freight.cargo.site/w/1000/i/0cedbccf4a48085ed8f10c224b0b2fe39cd4a30955fe0e72482787a61cd76441/2.jpg" /&#62;
&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/9ecb195a01ef2535b831880160a34454a695528a2676e78e0137fd4c63f6d26d/3.jpg" data-mid="160188649" border="0"  src="https://freight.cargo.site/w/1000/i/9ecb195a01ef2535b831880160a34454a695528a2676e78e0137fd4c63f6d26d/3.jpg" /&#62;
&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/865b0b448da294ceee02cd8912547988efd383b1514e1694f67490757e5c5997/4.jpg" data-mid="160188650" border="0"  src="https://freight.cargo.site/w/1000/i/865b0b448da294ceee02cd8912547988efd383b1514e1694f67490757e5c5997/4.jpg" /&#62;
&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/fcc1829a131282cf52ffbea6a2e1653972229092318c4877fc567423c2893693/5.jpg" data-mid="160188651" border="0"  src="https://freight.cargo.site/w/1000/i/fcc1829a131282cf52ffbea6a2e1653972229092318c4877fc567423c2893693/5.jpg" /&#62;
&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/c542cb4c74ffe6bdabb376a16bfee8d1c2d0d1431db772e318cb689f11a3ac66/6.jpg" data-mid="160188652" border="0"  src="https://freight.cargo.site/w/1000/i/c542cb4c74ffe6bdabb376a16bfee8d1c2d0d1431db772e318cb689f11a3ac66/6.jpg" /&#62;
&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/fe8397c222399a166473fac541ec778e46da6f750b4f1dea3628dfc4c926c373/7.jpg" data-mid="160188653" border="0"  src="https://freight.cargo.site/w/1000/i/fe8397c222399a166473fac541ec778e46da6f750b4f1dea3628dfc4c926c373/7.jpg" /&#62;
&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/8c0c2535814b455159da17f8c7b7e6fe5e7e20154b555b1261f764ec68f2e09b/8.jpg" data-mid="160188654" border="0"  src="https://freight.cargo.site/w/1000/i/8c0c2535814b455159da17f8c7b7e6fe5e7e20154b555b1261f764ec68f2e09b/8.jpg" /&#62;
&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/7cce956b4cdfff19f05b9dddf9236d240f6e58fe9da70f7112eb252c845ef74d/9.jpg" data-mid="160188655" border="0"  src="https://freight.cargo.site/w/1000/i/7cce956b4cdfff19f05b9dddf9236d240f6e58fe9da70f7112eb252c845ef74d/9.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Chinatown</title>
				
		<link>https://xiaoranzhu.cargo.site/Chinatown</link>

		<pubDate>Thu, 24 Nov 2022 16:34:43 +0000</pubDate>

		<dc:creator>Xiaoran &#124; Mia Zhu</dc:creator>

		<guid isPermaLink="true">https://xiaoranzhu.cargo.site/Chinatown</guid>

		<description>Chinatown︎ Mia Zhu - Instagram

Born in China and studied in the United States, I practiced street photography in New York Chinatown to understand my cross-cultural background. This is an ongoing photography project which I started in 2018. I spend my weekends in Manhattan Chinatown or Flushing, New York, both of which are home to major Chinese-American communities. They are the blend of two distinct cultures, and have always been attractive to me. 
They look like any other small town in China, but have more signs with different fonts and English translations. Compared to other areas in New York, they have greater diversity and concentration of Chinese restaurants, massages, beauty salons and Asian population. Everything in Chinatown has its own distinct personality and character, in contrast to the Chinese bland metropolitan image of the cities. Here I could find a white menu on the wall with red graffiti painted below by street artists, or a Mexican fruit merchant posing to the camera. There is a kind of indescribable sense of incongruity, but also colorful, vivid, and appealing. 
The subject from this project ranges from merchants, to residents, apartments, posters, supermarkets and restaurants. This project documents the intersection of Chinese and American culture in New York.&#38;nbsp;


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</description>
		
	</item>
		
		
	<item>
		<title>Product &#124; Caraa</title>
				
		<link>https://xiaoranzhu.cargo.site/Product-Caraa</link>

		<pubDate>Tue, 01 Jul 2025 20:18:57 +0000</pubDate>

		<dc:creator>Xiaoran &#124; Mia Zhu</dc:creator>

		<guid isPermaLink="true">https://xiaoranzhu.cargo.site/Product-Caraa</guid>

		<description>Product Photography/Social Video &#124; Caraa︎ Caraa 

Caraa is a New York City-based sport bag and accessory company to reimagine handbags for modern life.June 2021 - April 2023

My Role:&#38;nbsp;
In-studio product photography, Prop sourcing/styling, Graphic and Gif Design

for the Brand’s Social Media:&#38;nbsp;


&#60;img width="1080" height="945" width_o="1080" height_o="945" data-src="https://freight.cargo.site/t/original/i/421229486dc155c008ded04676cac18565623275547893c665f39e83c38128fc/240876555_1521152164928778_3311662338496795512_n.jpg" data-mid="235285930" border="0"  src="https://freight.cargo.site/w/1000/i/421229486dc155c008ded04676cac18565623275547893c665f39e83c38128fc/240876555_1521152164928778_3311662338496795512_n.jpg" /&#62;
&#60;img width="8192" height="5464" width_o="8192" height_o="5464" data-src="https://freight.cargo.site/t/original/i/385318fac063cc778b1bcf611df4e242555f2c40f7677535e5d9a0b1b46f9e26/stratus-yellow-still-life-horizontal-1.jpg" data-mid="235285932" border="0"  src="https://freight.cargo.site/w/1000/i/385318fac063cc778b1bcf611df4e242555f2c40f7677535e5d9a0b1b46f9e26/stratus-yellow-still-life-horizontal-1.jpg" /&#62;
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/488c7dc374d2bf138a7cf7788bced182af2fc777b0abcb2b624cf8c441edefbe/241452226_386294646200677_4133007920224761519_n.jpg" data-mid="235287493" border="0"  src="https://freight.cargo.site/w/1000/i/488c7dc374d2bf138a7cf7788bced182af2fc777b0abcb2b624cf8c441edefbe/241452226_386294646200677_4133007920224761519_n.jpg" /&#62;
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&#60;img width="4480" height="6720" width_o="4480" height_o="6720" data-src="https://freight.cargo.site/t/original/i/5475a2c5d50e999e7fac71ec1992a3e7c0747a8ea81ed69282588629c8fc11b4/9O7A9856.jpg" data-mid="235287489" border="0"  src="https://freight.cargo.site/w/1000/i/5475a2c5d50e999e7fac71ec1992a3e7c0747a8ea81ed69282588629c8fc11b4/9O7A9856.jpg" /&#62;
&#60;img width="4480" height="6720" width_o="4480" height_o="6720" data-src="https://freight.cargo.site/t/original/i/e69df68a4b68d04c955d9452ece9b50d4355aeeae9c1df1ff4edcc2c148fa526/9O7A9865.jpg" data-mid="235287490" border="0"  src="https://freight.cargo.site/w/1000/i/e69df68a4b68d04c955d9452ece9b50d4355aeeae9c1df1ff4edcc2c148fa526/9O7A9865.jpg" /&#62;

	
	
for the Brand’s Website:&#38;nbsp;


&#60;img width="1600" height="1945" width_o="1600" height_o="1945" data-src="https://freight.cargo.site/t/original/i/18932c31f9a45c8804651febd324943680e41d833d55cc1c004c1d7e9506d763/L-cognac-front_2046x2456_crop_center.jpeg" data-mid="235284818" border="0"  src="https://freight.cargo.site/w/1000/i/18932c31f9a45c8804651febd324943680e41d833d55cc1c004c1d7e9506d763/L-cognac-front_2046x2456_crop_center.jpeg" /&#62;
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